The best of this period are probably the ambient instrumental pieces - and a compilation cassette I put together the following year grouped them all together on a C90.
Yet what's interesting, looking back, is that I was still a teenager when recording all of these - albeit one who had left home, and was studying a degree. Later volumes will see my music become more song orientated, more sophisticated, but I'm glad I've still got these recordings - and that over thirty years later I can re-present them.
If you could go back and give advice to your younger self - what would you say? That it will be all right? Perhaps. Maybe I didn't need the advice - for I kept recording - and still keep recording - despite a lack of support, and even outright hostility at times. These are the recordings of a private obsession - though I'd play them to you if I asked - and so seem to exist in a place of their own. It's impossible to think back to being a teenager, to recreate that younger self, particularly when so little of it seems worth that much. Yet, I'm so glad I was obsessively creative during those years. The poems I wrote (such as the lyrics for the song "Tamarine") are adolescent, and any stories I wrote feel wooden or derivative, but the three or four hours of music I made, has its own integrity to it.
The 2 volumes of the 4 Track Years Vol.1 can be downloaded or streamed here PART ONE and here PART TWO.
Further volumes covering 1987-8 and 1989-90 will follow.